Description: Xuan Ye 叶轩 works across art, music, and technology
X is interested in making noise as a generative space to evoke the dissonant, untranslatable and illegible pulses and pauses within more-than-human entanglements. They often involve improvisation, computation and fiction to compose software, images, installations, performances and editions. X's practice in paleocybernetics traces the resonances of technological, biological, and ecological systems through the development of a wave ontology where waves —material and metaphysical— become the language of porous
Their work has appeared at the MOCA Toronto (2022) , UCCA Center for Contemporary Art (2022, Shanghai) , UQAM (Montreal) and Venice Architecture Biennale (2021) , Peer to Space (2021, Berlin) , MUTEK Montreal (2020) , Vivid Projects (2019, Birmingham) , and Goethe-Institut (2018, Beijing) , among others. Their multifaceted practice has been featured and reviewed in Peripheral Review (2020) , Canadian Art (Winter 2020) , ArtAsiaPacific (Issue. 111) , Goethe-Institut (Montreal) , KUNSTFO
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